
Light that goes beyond illumination — conceived as art, engineered to a single room, and made entirely by hand.
YEPHALL is a design-and-production atelier where artistic vision and technical mastery live under one roof. For more than fifteen years we have composed original, bespoke light for the world’s most refined residences, hotels and landmark interiors — working hand in hand with the architects, designers and collectors who shape them. At home in Zhongshan, the house signs its work with a second name: 银猴, the Silver Monkey.
For fifteen years we designed the traditional way — pencil, habit and hard-won instinct. Then we made a decision few ateliers dare: we turned to AI for our inspiration. Not to replace our hands — nothing else changed. AI proposes compositions tradition would never sketch; our chief designer chooses the one worth keeping; our own team models it, draws it at 1:1, and our masters build it by hand. We say this openly — because we believe the future of bespoke lighting belongs to the houses honest enough to claim it.
Every design begins in our own studio — sketched, prototyped and refined until it moves people, not merely lights rooms.
Cast where precision demands it, free-formed where feeling demands it — and every element, without exception, finished in human hands: sanded, polished, refined one at a time.
Disciplined process, skilled hands. Each composition is fully built, wired, lit and balanced in our workshop — checked as a whole before a single crate is closed.
Scaled to your ceiling, coloured to your palette — so the room it lights exists nowhere else in the world.

I founded YEPHALL in Zhongshan with a conviction I still hold: a light can move a person the way a painting can. At home we sign our work with a second name — 银猴, the Silver Monkey.
For fifteen years I drew every composition myself, at full scale, in pencil. Today I design in dialogue with AI — it proposes what I would never have dared to draw, and I decide what deserves to be built. I still choose the materials at the bench, argue the details with our masters, and stand under every finished piece before it is crated.
Changing the way we design was not a fashion; it was the most honest decision I have made for this house. The imagination is wider now — the standard is the same, and I still sign it personally.







In our Zhongshan workshops, every YEPHALL composition passes through dozens of hands — the glassblower reading the breath in the bubble, the master who holds each crystal to a white light and forgives nothing, the assembler who threads the final leaf onto its branch. Their judgement is the difference between a fixture and a work of art; their patience is what you hang from your ceiling.




A chandelier’s job is not brightness. It is presence — the way a room changes the moment it is lit. We compose light as sculpture: something to be remembered, not merely switched on.

The studio that draws your piece and the workshop that builds it share one building in Zhongshan — the capital of China’s lighting industry. Nothing is outsourced, so nothing is compromised.
Under that roof, colour is still weighed by hand, glass is still pressed petal by petal, and every commission — born from AI inspiration — is modelled, drawn and proven on a full-scale 1:1 drawing by our own team before a single element is made. That is what lets us promise true bespoke — any size, any colour.
Before any piece leaves the workshop it is fully assembled, lit, load-tested and inspected — then documented, insured and crated to export standard.




Tell us about your space. We’ll design it at full scale, confirm every detail with you, and handcraft a piece made only for you.